Tuesday, December 24, 2019

Selzers Essay Abortion - 912 Words

How is Selzez a Philosopher, as well as, a Doctor? Abortion is a tremendous issue in our society today. As well as the article â€Å"Abortion† by Selzer, I have also read Mortal Lessons, a book he had also written. Selzer is an author who wrote in order to describe â€Å"unsparingly the surgeon’s art, opening up the body to view one part at a time.† The article â€Å"Abortion† classifies him as a doctor, but the way in which he writes makes him a philosopher as well. Selzer not only writes about the physical aspects of surgery, but also the emotional and psychological sides that agree with it. In the essay â€Å"Abortion†, Selzer took presence during an abortion procedure: â€Å"I am present because I asked to be present. I wanted to see what I have never seen†¦show more content†¦This is one way that I think is acceptable to have an abortion. To have an abortion because you are not responsible enough to use protection, that is you own ignorance. You should be mature enough to handle your own responsibility. It is not the fault of the fetus you are killing that should have to pay for your ignorance. Not only are you killing a living being, you are also effecting your own body as well. I have a friend, 21, that has already had four abortions. She does not use any form of birth control. She told me, â€Å"It doesn’t feel good when using a condom.† I told her there are other forms of birth control out there, such as the birth control pill. No, it is not a hundred percent accurate, but it is much better than having unprotected sex the way she doe s. She then answered me by telling me that she has tried but would always forget to take it. This, to me, is a form of irresponsibility. After having the last abortion, she called me up crying. She said that the doctor told her it is not healthy to have more than two abortions and by her having four already, he can predict one of two things. Either she will not be able to have children at all in the future or she will have complications becoming pregnant because of her weak uterus not being able to hold the baby. This may cause the death of the child as well as her life while having the baby. Maybe it was the way my family raised me when I was a childShow MoreRelated`` What I Saw At The Abortion ``875 Words   |  4 Pages    In his essay, â€Å"What I Saw at the Abortion,† Richard Selzer a surgeon and author, writes about his experience witnessing an abortion for the first time. Before he begins to recount his experience, he gives us some background information to explain that he is writing this experience from the perspective of someone that is neither for nor against abortion, and also has no religious standpoint regarding abortion. This information is insightful as we get an opportunity to understand abortion from an

Monday, December 16, 2019

Macroeconomics Homework Free Essays

One of the possible characteristics of the UK national daily newspaper would be the tight competition that exists in the said market due to the availability of the large number of newspaper companies. This characteristic of UK national newspaper causes tight market competition among its member firms. Another characteristic would be the difficulty of market entry in the said industry. We will write a custom essay sample on Macroeconomics Homework or any similar topic only for you Order Now This can be attributed to the large number of newspaper companies that already exist in the market. Price competition serves to be one of the major factors that attract more customers based on the given case. Moreover, innovation is also vital to the newspaper industry of UK since newspaper readers now prefer newspapers in a form of either tabloid or any other style that is much different from the conventional broadsheet from of UK’s newspaper. Using the theory of oligopoly, discuss why the Guardian chose to launch a new design of paper in 2005. Read also  Homework Solutions – Chapter 3 On the other hand, the reason why The Guardian launched a new design of newspaper mainly because they have to go with the flow on what other companies has been doing into their products. It was identified that almost all of the competitors of The Guardian has already been shifted from their conventional broadsheet newspapers to smaller design of newspapers like tabloid. One characteristics of Oligopoly would be the fact that any action of one firm in the market may it be price or marketing strategy, always affects other players on the said industry (Tutor2u.com 2007: 1). The fact that The Guardian was forced to make new designs for its newspaper would necessarily mean that they were affected by the strategies of their competitors of transforming the size of their newspapers. Moreover, based on the case, price only matters less or only among the many factors that affects the demand of newspaper readers which is also a part of the traits of Oligopoly. Works Cited Tutor2u.com (2007). Oligopoly [online]. Available: http://tutor2u.net/economics/content/topics/monopoly/oligopoly_notes.htm [Accessed How to cite Macroeconomics Homework, Essay examples

Sunday, December 8, 2019

How does Jewishness fit into Jewish art Essay Example For Students

How does Jewishness fit into Jewish art Essay For many Jews, their only way to make an impact on society was through the arts. They were not allowed in many instances to be a part of the governments or universities in the cities where they lived, so they turned to the press, the theater, music, sculpture, and painting to express themselves. It varied from artist to artist as to weather they expressed their Jewishness in their medium, however. Some would put openly Jewish themes in their work, while other would not, yet often be accused of doing so. Before the war painters in Germany were fighting giants the government and a leader, Wilhelm II, who, although he embraced technology and modern science, felt there was no place for modern art in his country. However, those who loved mo Max Liebermann, although he would refer to himself as a German painter, was often not put in the writings of art history, or was made to be a villain within the pages. He was referred to as making oriental, French, and Dutch style paintings. This was done to take away from any German qualities that his painting had. A true German, after all, can only have made German art. By making Liebermann a cosmopolitan Jewish painter, critics could deny him a place in the history books that contained German artists. Henry Thode, a German nationalist said of him, Liebermann could just as well work in Holland or in France and be just as much at home; nothing explicitly German is present in him. In Frankfurt even after World War I, many non-Jewish people frequented the arts of talented Jews giving little regard to their ethnic or religious circumstances. In some circumstances, their paintings and theater productions had little to do with Jewish life or combined the worlds of German and Jew. Moritz Oppenheim, for example painted the scenes of Jewish family life, but also a portrait of Austrian emperor Joseph II. Even if theatrical productions did have clear Jewish messages, such as The Dybuk, which was about demonic possession and preformed in Hebrew, it did not seem to matter to the public at large. In both the art and musical arenas, the term Oriental was used interchangeable with Jewish. Before the war, Arnold Schoenberg, a famous composer, had become a Protestant, but because of numerous events, he would go back to his Jewish roots. The Dreyfus trials, which convicted a man of treason because he was a Jew among non-Jews in the hierarchy France, the census count of Jewish soldiers in 1916 Germany, the Judenz? hlung, and his eviction from Mattsee in 1922, all made Schoenberg see the true nature of things and he returned to his faith and eventually embrace his ethnicity. As he stated in 1923, For I have at last learnt the lesson that has been forced upon me during this year, and I shall not forget it. It is that I am not a German, not a European, indeed perhaps scarcely even a human being (at least, the Europeans prefer the worst of their race to me), but I am a Jew. Schoenberg was one artist who modifed his art and thoughts after the war. There were also several others like him, but it is by no means the common condition. After the war there was a need for a scapegoat and it found its victim in the Jewish population in many respects. Several Jewish artist would openly embrace their heritage for this very reason, claming that no matter what accomplishments they achieved, they were on their own. Although Jews only represented one percents of the overall German population, their influence on the culture was vast. In the first two decades of the twentieth century alone they were part of the theater as producers, directors, and actors. Jews were among the best and brightest that Germany had to offer in the fields of architecture, painting, writing and performing music, and sculpting. Yet, with all their successes there was still a sense of isolation for many because not only did their art set them apart, but also their heritage. Diabetes EssayMore substantial evidence of Jewish influence can be seen in the works of such artists as E. M. Lilien. Lilien was of the mind that national Jewish art should be fashioned out of traditional Jewish motifs while incorporating contemporary styles. Because of this, his art was immediately seen as Jewish. But the depiction of Jew within the current period could be found only in film and the cabaret. In 1916 Ernst Lubitsch plays the character of Sally Pinkus in Pinkuss Shoe Palace. Pinkus is a present-day Jew living in Berlin who becomes successful in the shoe business. Pinkus displays all the stereotypical traits of a Jewish man, but they are portrayed in a positive light. Pinkus was created during World War I. Many Jews saw the coming of the war as their chance to finally become totally acculturated into German society. As they fought with their fellow German citizens, giving their lives, they did not see how anti-Semitism could survive. At the start of the war, Jews were as patriotic as any other portion of the population, as the war drug on however their mood changed along with that of the rest of the country. Paul Cassirer founded a new magazine in August 1914 called Kriegszeit (Wartime). In its pages, artists contributed their interpretations of the war. Although the pictures began to portray horrendous scenes and depict the apprehensions of those at home, it was still loyal to the war efforts. By 1916 however, Cassirer had decided to start up a new journal, this one entitled Der Bildermann, which was devoted to promoting peace. It included a variety of works depicting daily life in Germany, pacifist appeals, and trenchant social commentary. The censors eventually shut it down. The art of Ludwig Meidner and Jakob Steinhardt was changed by their encounters during the war. The outcome of associating with Eastern Jews (who were more traditional) and the impact it left on the work of Steinhardt can be seen as he returns to more customary depictions. German Jews experienced a profound sense of betrayal. It was as if the bubble of the Jewish-German symbiosis had been burst. The arts were the place where Jews were making their greatest inroads to full assimilation. The networking and acceptance they were able to achieve in this area was unparalleled in other areas of German culture. Jews had many things working against them, however. Even if they were not defining themselves as Jewish artist some on the outside were. Philipp Stauff in 1913 put out a biographical dictionary that not only named Jews in the arts, but anyone who was associating with them. He stated, Dealers, critics, and painters, who are strangers in our land and to our blood, stand today at the apex of the fine arts. He saw all Jews as being driven only by money and hate of all things un-Jewish. Stauff had the view that anyone with Jewish ancestors, no matter how far removed, was Jewish to the bone. He felt those who were far removed were actually quite dangerous, because they could possibly pass as German. At the time these feeling were generally dismissed, but they would latter be used by a propaganda machine. Through the channel of art, the Jewish-German citizen, who had not been totally accepted into society, could express their individuality and insights.